{"id":44,"date":"2024-11-03T14:18:06","date_gmt":"2024-11-03T14:18:06","guid":{"rendered":"https:\/\/metamediacom.com\/howardbeale\/?page_id=44"},"modified":"2025-03-27T02:13:59","modified_gmt":"2025-03-27T02:13:59","slug":"who-is-howard-beale","status":"publish","type":"page","link":"https:\/\/metamediacom.com\/howardbeale\/who-is-howard-beale\/","title":{"rendered":"1 – WHO IS HOWARD BEALE?"},"content":{"rendered":"

Howard Beale<\/b>\u00a0is a fictional character from the film\u00a0Network<\/a><\/i>\u00a0(1976) and one of the central characters therein.<\/sup>\u00a0He is played by\u00a0Peter Finch<\/a>, who won a posthumous\u00a0Oscar<\/a>\u00a0for the role.<\/span><\/p>\n

\"\"<\/p>\n

In a classic example of life imitating art … the main character Howard Beale’s now famous lament and exhortation, has become a clarion call for contemporary activists for social justice and equality, who advocate for populist activism against a rigged system of an inverted totalitarian democracy that has become the obsequious handmaiden of unfettered Neo-liberal Capitalism:<\/em><\/strong><\/span><\/span><\/p>\n

“I’m as mad as hell … and I’m not going to take this anymore!”<\/strong><\/em><\/span><\/p>\n

\n

Plot summary<\/span><\/h1>\n

In Network<\/i>, Beale, the\u00a0anchorman<\/a>\u00a0for the\u00a0UBS Evening News<\/i>, struggles to accept the ramifications of the social ailments and depravity existing in the world. His producers exploit him for high ratings and avoid giving him the psychiatric assistance that some, especially news division president and his best friend, Max Schumacher (William Holden<\/a>), think he needs.<\/span><\/p>\n<\/div>\n

Beale, a long-standing and respected anchorman who began his career at UBS in 1950, saw his ratings begin a slow but steady decline in 1969. In 1970, his wife died and he became lonely, causing him to drink heavily. In September 1975, the UBS network decided to fire him, leading him to engage in binge drinking as he feels there is nothing left for him in the world. Beale’s career as “The Mad Prophet of the Airwaves” is sparked by his half-joking offer, after receiving his\u00a0two weeks’ notice<\/a>, to kill himself on nationwide TV. <\/span><\/p>\n

He subsequently apologizes to his viewers, telling them he “ran out of bullshit.” Viewers respond positively and the network producer Diana Christensen (Faye Dunaway<\/a>) wants him to serve as an “angry man” news anchorman. Schumacher feels that Christensen is exploiting his troubled friend, but Beale happily embraces the role of the “angry man”. His foul-mouthed tirades feature a dark vision of America as a nation in decline as he speaks about the “depression” (i.e the\u00a0recession caused by the Arab oil shock of 1973-74<\/a>), OPEC, rising crime, the collapse of traditional values and other contemporary issues. <\/span><\/p>\n

Beale believes his ranting is guided by a voice in his head, talking of having some mystical connection to some sort of higher supernatural power, but Schumacher believes he is losing his mind. <\/span><\/p>\n

However, encouraged by Christensen, the executives at UBS decide that his unhinged ranting about the state of the world, especially when he repeatedly shouts “I’m as mad as hell and I’m not going to take this anymore!”, will revive ratings at the struggling network. <\/strong><\/em><\/span><\/p>\n

He is given his own show where he can say whatever he likes, and the carnivalesque show becomes the number one show in the United States. Beale shouts about whatever issue of the moment is agitating him until he passes out. At one point, he rants about how television is an “illusion” that peddles fantasies that can never be realized.<\/span><\/p>\n

Unfortunately for the network, he exposes the ties between CCA, the corporation that owns the network, and business interests in Saudi Arabia. At a time when Saudi Arabia was unpopular in the United States owing to the Arab oil boycott of 1973-74, Beale charges that the House of Saud is buying up the United States and demands his audience send telegrams to the White House to save the United States from being bought up by the Saudis. <\/span><\/p>\n

Arthur Jensen, CCA chairman and chief stockholder (played by\u00a0Ned Beatty<\/a>), thunderously explains to Beale his belief that money is the only true god, whereupon Beale completely turns his message around — before, he told people their lives had value and meaning, but after his meeting with Jensen, he says the opposite. <\/span><\/p>\n

Beale tells his viewers that Americans are degenerating into “humanoids” devoid of intellect and feelings, saying that as the wealthiest nation, the United States is the nation most advanced in undergoing this process of degeneration which he predicts will ultimately be the fate of all humanity. His ratings drop, but Jensen orders him kept on; network executives order him to be assassinated. <\/span><\/p>\n

The film concludes with his murder on national television; a voiceover proclaims him “the first known instance of a man who was killed because he had lousy ratings.”<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Howard Beale\u00a0is a fictional character from the film\u00a0Network\u00a0(1976) and one of the central characters therein.\u00a0He is played by\u00a0Peter Finch, who won a posthumous\u00a0Oscar\u00a0for the role. In a classic example of life imitating art … the main character Howard Beale’s now famous lament and exhortation, has become a clarion call for\u2026 Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":36,"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/pages\/44\/revisions\/294"}],"wp:attachment":[{"href":"https:\/\/metamediacom.com\/howardbeale\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}